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Sathya Saran

The agenda looked promising and I was happy to visit as Guwahati was a homecoming of sorts for me; I had taught at the North Eastern Hill University in Shillong over 40 years ago. The fest had a more business-like purpose to it and was organised over a limited area at the Sankardeva Kalakshetra near the Shilpagram. It was easy to navigate the three main halls, named after famous writers like Madhav Kandali and Tolstoy, that were holding parallel sessions.

At the session on Lost and found in translation, an early translated work which was lost, found and lost again was mentioned. This was the work of the Indian monk Kumarajiva who travelled from Kashmir to Kashgar and was later converted to Buddhism. He found his way to China and also helped spread Buddhism. While this survived in manuscript form, in AD it was reprinted in book form through the block printing method by a printer named Wang.

The book with other texts and artifacts were suppressed by Buddhists later fearing persecution. The Diamond Sutra along with other priceless manuscripts were hidden in the Mogao cliffs near Dunhuang. They were kept there for many hundreds of years, guarded by surviving descendants of monks who only knew they were the keepers of something but were not aware of its value till the caves were discovered by the British archaeologist and scholar of Sanskrit, Marc Auriel Stein in his explorations of the expanse of Buddhism across the Silk Route.

He bribed the monk with a paltry inducement and carted away the priceless relics. The Diamond Sutra is now exhibited in the British Museum in London, a case of lost, found and lost again. Chief at the fest David Collin spoke of his writings with reference to both collective and personal memory. He mentioned that personal memory was short and sometimes writers had to jog the collective memory. Writers had to record stories based on suffering as a result of genocide or ethnic cleansing. These stories ensured that these historical truths were not forgotten by succeeding generations. The fable is an ancient literary genre , often though not invariably set in verse.

It is a succinct story that features anthropomorphized animals, plants, inanimate objects, or forces of nature that illustrate a moral lesson a " moral ". Verse fables have used a variety of meter and rhyme patterns. Dramatic poetry is drama written in verse to be spoken or sung, and appears in varying, sometimes related forms in many cultures. Greek tragedy in verse dates to the 6th century B. Speculative poetry, also known as fantastic poetry of which weird or macabre poetry is a major sub-classification , is a poetic genre which deals thematically with subjects which are "beyond reality", whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction.

Such poetry appears regularly in modern science fiction and horror fiction magazines. Edgar Allan Poe is sometimes seen as the "father of speculative poetry". Prose poetry is a hybrid genre that shows attributes of both prose and poetry. It may be indistinguishable from the micro-story a.

Latin American poets of the 20th century who wrote prose poems include Octavio Paz and Giannina Braschi [] []. Light poetry, or light verse, is poetry that attempts to be humorous.

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Poems considered "light" are usually brief, and can be on a frivolous or serious subject, and often feature word play , including puns , adventurous rhyme and heavy alliteration. Although a few free verse poets have excelled at light verse outside the formal verse tradition, light verse in English usually obeys at least some formal conventions. Common forms include the limerick , the clerihew , and the double dactyl. While light poetry is sometimes condemned as doggerel , or thought of as poetry composed casually, humor often makes a serious point in a subtle or subversive way.

Many of the most renowned "serious" poets have also excelled at light verse. Kennedy , Willard R. Espy , and Wendy Cope. Slam poetry as a genre originated in in Chicago , Illinois , when Marc Kelly Smith organized the first slam. Slam performers comment emotively, aloud before an audience, on personal, social, or other matters. Slam focuses on the aesthetics of word play, intonation, and voice inflection. Slam poetry is often competitive, at dedicated " poetry slam " contests.

From Wikipedia, the free encyclopedia. This is the latest accepted revision , reviewed on 3 October This article is about the art form. For other uses, see Poetry disambiguation. For other uses, see Poem disambiguation , Poems disambiguation , and Poetic disambiguation.

Form of literature. Main articles: History of poetry and Literary theory. The examples and perspective in this section may not represent a worldwide view of the subject. You may improve this section , discuss the issue on the talk page , or create a new article , as appropriate. September Learn how and when to remove this template message. Main article: Meter poetry. Main articles: Timing linguistics , tone linguistics , and Pitch accent. Main article: Scansion. Main articles: Rhyme , Alliterative verse , and Assonance. Main article: Rhyme scheme. Main article: Line poetry.

Main article: Visual poetry. Main article: Poetic diction. See also: Category: Poetic form. Main article: Sonnet. Main article: Shi poetry. Main article: Villanelle. Main article: Limerick poetry.

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Main article: Tanka. Main article: Haiku. Main article: Thai poetry. Main article: Ode. Main article: Ghazal. Main article: Narrative poetry. Main article: Lyric poetry. Main article: Epic poetry. Main article: Elegy. Main article: Fable. Main article: Speculative poetry. Main article: Prose poetry. Main article: Light poetry. Main article: Poetry slam. This section needs expansion.

You can help by adding to it. August Poetry portal. However, in some forms, the unit is more equivalent to wak. To avoid confusion, this article will refer to wak and bat instead of line , which may refer to either. Oxford Dictionaries. Oxford University Press. Merriam-Webster, Inc. Poetry: an introduction.

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Edinburgh University Press. Selected Essays. Modern Poetry After Modernism. Harvill Press.

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International Communication Gazette. The Interface Between the Written and the Oral. Cambridge University Press. The Epic of Gilgamesh Revised ed.

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Penguin Books. New York Times. Retrieved 1 May A small tablet in a special display this month in the Istanbul Museum of the Ancient Orient is thought to be the oldest love poem ever found, the words of a lover from more than 4, years ago. The Odyssey Re-Formed. Cornell University Press. Chinese Civilisation: A Sourcebook 2nd ed. The Free Press. A poetics handbook: verbal art in the European tradition. In Kern, Martin ed. Text and Ritual in Early China.

University of Washington Press. A history of literary criticism. Aristotle's Poetics. Genre Reprint ed. Journal of the American Oriental Society. Burnett, Charles Brill Academic Publishers. The Universities of the Italian Renaissance. Johns Hopkins University Press. Critique of Judgment. CS1 maint: multiple names: authors list link Kant argues that the nature of poetry as a self-consciously abstract and beautiful form raises it to the highest level among the verbal arts, with tone or music following it, and only after that the more logical and narrative prose.

Keats and negative capability.

ৰাজকুমাৰআৰুভিখাৰী - Assamese Story - Assamese Fairy Tales

The constructivist moment: from material text to cultural poetics. Wesleyan University Press. Journal of Translation. Archived from the original PDF on 9 March The classical tradition: Greek and Roman influences on western literature Reissued ed. Literary Criticism: A Short History. Vintage Books. Why write poetry? Fairleigh Dickinson University Press. The Cambridge companion to modernist poetry. Postmodernist culture: an introduction to theories of the contemporary 2nd ed. Princeton Encyclopaedia of Poetry and Poetics enlarged edition.

London and Basingstoke: Macmillan Press. In Bloom, Harold ed. Contemporary Poets. Bloom's modern critical views revised ed. New York: Infobase Publishing. Retrieved 7 May The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's.

Rhythmic Grammar. Walter de Gruyter. Cambridge textbooks in linguistics. University of Minnesota Press. Hebrew for biblical interpretation. Society of Biblical Literature. Tamil Internet : — Free Verse An Essay on Prosody. Northwestern University Press. Fondazione Universitaria in provincia di Belluno.

Archived from the original PDF on 8 March Retrieved 10 December The British Museum. The Founding of English Meter. Columbia University Press. Notes on Prosody. Bollingen Foundation. In Gaylord, Alan T ed. Essays on the art of Chaucer's Verse. Beowulf and old Germanic metre. Art of Chinese Poetry. University Of Chicago Press. The chances of rhyme. University of California Press. University of Pennsylvania. Qasida poetry in Islamic Asia and Africa.

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Reading modernist poetry. Middle English Literature: a guide to criticism.

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  • The Cambridge Introduction to Modernist Poetry (Cambridge Introductions to Literature).
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Blackwell Publishing. Harvard Theological Review. Reading the Visual — 17th century poetry and visual culture. GRIN Verlag. The aesthetics of visual poetry. University of Chicago Press. Archived from the original on 27 October Poetic diction: a study in meaning 2nd ed. American Journal of Philology. Broken English: dialects and the politics of language in Renaissance writings.

Blackwell Publishers. Medieval lyric: genres in historical context. University of Illinois Press. Working through the contradictions from cultural theory to critical practice. Bucknell University Press. Allegorical poetics and the epic: the Renaissance tradition to Paradise Lost. Sort order. Oct 13, Pronoy rated it it was amazing. I picked up this translated collection of Assamese short stories for the sake of nostalgia. My heart melts for anything Assamese — food, weather from late Fall onward! Personally, this book did a splendid job of bringing Assam alive in my mind as I read through pages of the most beautiful literary fiction India has to offer.

This book, as the title of the collection suggests, is marked by temporality. We read stories that present to u I picked up this translated collection of Assamese short stories for the sake of nostalgia. We read stories that present to us rural Assam of the colonial era and end with Assam both rural and urban struggling in a space of fear and vulnerability arising out of conflict and violence. I am no expert of Assamese literature and so I am unable to comment on the quality of translation and the selection of the stories but I have no quibbles about how they fit and speak with each other.

Why is this piece toward the end of the book and why is it so wordy? I am not sure. Except for this one glitch, I have little to whine about this book. Sreelekha Menon rated it it was amazing Nov 20, Maliny Mohan rated it liked it Mar 14, Julian Hoffman rated it liked it Apr 01, Sneha rated it it was ok Mar 05, Siba Prasad rated it really liked it Sep 17, Banyabaishali Mohanty marked it as to-read Dec 02, Vineetha marked it as to-read Feb 20, Sreevidhya marked it as to-read Feb 20, Lost marked it as to-read May 03, Manish Kumar added it Oct 18, Ashim Sarma marked it as to-read Oct 24, Binod Kumar marked it as to-read Oct 25,